From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 6:
Many of his followers smoked, sometimes apparently to such an extent as to cause scandal among their brethren. The following is an entry in the minutes of the Friends' Monthly Meeting at Hardshaw, Lancashire: "14th of 4th mo. 1691. It being considered that the too frequent use of smoking Tobacco is inconsistent with friends holy profession, it is desired that such as have occasion to make use thereof take it privately, neither too publicly in their own houses, nor by the highways, streets, or in alehouses or elsewhere, tending to the abetting the common excess." Another Lancashire Monthly Meeting, Penketh, under date "18th 8th mo. 1691" suggested that Friends were "not to smoke during their labour or occupation, but to leave their work and take it privately"—a suggestion which clearly proceeded from non-smokers. The smug propriety of these recommendations to enjoy a smoke in private is delightful.