From Chapter 4:
The variations in price of both Spanish and Virginia tobacco were largely due to the frequent changes in the amount of the duty thereon. In 1604 King James I, newly come to the throne, and full of iconoclastic fervour against the weed, raised the duty to 6s. 8d. per lb. in addition to the original duty of 2d. On March 29, 1615, there was a grant to a licensed importer "of the late imposition of 2s. per lb. on tobacco"—which shows that there must have been considerable fluctuation between 1604 and 1615—while in September 1621 the duty stood at 9d. Through James's reign much dissatisfaction was expressed about the importation of Spanish tobacco, and the outcome of this may probably be seen in the proclamations issued by the King in his last two years forbidding "the importation, buying, or selling tobacco which was not of the proper growth of the colonies of Virginia and the Somers Islands." These proclamations were several times confirmed by Charles I, the latest being on January 8, 1631; but they do not seem to have had much effect.

From Chapter 7:
This print is now chiefly of interest because the plate was adorned with a tiny etching by Hogarth, in which appear the figures of the British Lion and Britannia, both with pipes in their mouths, Britannia being seated on a cask of tobacco.

Hogarth was fond of introducing the pipe into his plates. In the tail-piece to his works, which he prepared a few months before his death, and which he called The Bathos, or Manner of Sinking in Sublime Paintings, the end of everything is represented. Time himself, supported against a broken column, is expiring, his scythe falling from his grasp and a long clay pipe breaking in two as it falls from his lips. This was issued in 1764—Hogarth's last published work. In the plate which shows the execution of Thomas Idle, in the "Industry and Idleness" series, Hogarth depicts the little hangman smoking a short pipe as he sits on the top of the gallows, waiting for his victim. The familiar plate of A Modern Midnight Conversation shows a parson in surplice and wig smoking like a furnace while he ladles punch from a bowl—probably meant for a portrait of the notorious Orator Henley. Most of the other guests are also shown smoking long clay pipes.